Finally, another painting! It's been a while since I had a proper sit down but things have been looking up with work and life in general, so I have more time for watercolor practice. I spent the entire afternoon yesterday at Cafe Mary Grace to get some sketching done. Whenever I feel like I need serious uninterrupted time for drawing/crafting, I go to a coffee shop and just spend the hours in solitude.
I've always wanted to draw this gypsy lady ever since I came across her in Paris. I've read stories of really aggressive beggars who take advantage of tourists in Paris, but I didn't get that vibe from her. The kindness in her face was just so beautiful, I wanted to draw a portrait of her.
I was walking outside the Notre Dame when I came across her. She was looking at me as I walked past and I just had the urge to drop a coin in her cup. She clasped her hands together as if to give thanks to an answered prayer. I didn't understand what she said but her eyes showed so much gratitude, and were welling up with tears. As I took out my camera, she gave me the warmest smile I've seen from a stranger that day. I took a photo of her and I headed off. That brief moment with her was remarkable.
I tried my best to copy her face and her features, but I always end up straying away from my original subject and just skew some things here and there. Usually when I do the pencil sketch, I try to be as exact as possible, but when I start coloring, I refrain from looking at the photo reference so that I can make my own changes to the drawing. It's like getting lost in translation, only on paper.
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| Mother Gypsy Watercolor on Paper |
The most challenging part of this drawing is coloring her jacket. I've learned that mixing black with another dark hue is a good way of putting some dimension to the color. My own technique with watercolor is just really self taught, but I always just start with the skin and the lighter colors the follow with the darker shades. There's still so much to learn and I loved the challenge of doing this painting because of the creases of the subject's face and the draping of her shawl as well as the stitching of her jacket. I've never really mentioned it before, but I love to draw aging people. Their faces are more interesting to paint because their features help me to look into the details and allow me to practice seeing better.
Here's a collection of past drawings of the beautiful, wrinkled folks:
Hope you had a great weekend!
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